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Classical concerts featuring
NHK Symphony Orchestra, Tokyo

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Concerts featuring NHK Symphony Orchestra, Tokyo in season 2024/25 or later

May 11, 2025
Artistic depiction of the event

Mahler Festival: Fabio Luisi and NHK Symphony Orchestra - Mahler's Symphony No. 3

Sun, May 11, 2025, 20:15
NHK Symphony Orchestra, Tokyo, Dames van het Groot Omroepkoor, Nationaal Kinderkoor, Fabio Luisi (Conductor), Olesya Petrova (Mezzo-Soprano)
Born in Italy, Fabio Luisi is currently chief conductor on two continents. In Texas, he is the successor to Jaap van Zweden at the Dallas Symphony Orchestra. And in Tokyo, he leads the NHK Symphony Orchestra, which today performs Mahler's Third Symphony, one of Mahler's signature orchestral works with a major role for voice. The NHK Symphony Orchestra is joined by both the women of the National Radio Choir and the National Children's Choir.Initially, Mahler gave his Third Symphony a programme: a summer morning dream. In the six movements, he featured animals, flowers and angels. He later removed all these titles, but the Third remains a declaration of love to nature and the universe. Including Bavarian folk music and sleigh bells, and children stepping into the roles of angels.
May 12, 2025
Artistic depiction of the event

Mahler Festival: Fabio Luisi and NHK Symphony Orchestra - Mahler's Symphony No. 4

Mon, May 12, 2025, 20:15
NHK Symphony Orchestra, Tokyo, Fabio Luisi (Conductor), Ying Fang (Soprano), Matthias Goerne (Bariton)
Born in Italy, Fabio Luisi is currently chief conductor on two continents. In Texas, he succeeded Jaap van Zweden at the Dallas Symphony Orchestra. And in Tokyo, he leads the NHK Symphony Orchestra, with which he will give two concerts during the Mahler Festival. Yesterday the Third Symphony was performed, today it is the Fourth Symphony's turn. Luisi's interpretation was called 'enchanting' by Dallas Morning News. In the fourth movement, soprano Ying Fang sings of the idyll of the afterlife.While walking through Austria, writing book in hand, Mahler got his Fourth Symphony in his mind. Consequently, it sounds remarkably scenic, light and lyrical. The Fourth Symphony initially met with resistance and incomprehension, and was slammed by the press. Later, however, the work grew to become perhaps Mahler's best-loved symphony. In this respect, Bruno Walter, Mahler's colleague and friend, was proved right when, after the first performance in Vienna, he lashed out at the boomer press that 'Mahler and his immortal work will be alive long after you are dead and buried'.